Notice: Function _load_textdomain_just_in_time was called incorrectly. Translation loading for the acf domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /customers/1/c/6/audiblemusic.dk/httpd.www/wp-includes/functions.php on line 6121 Notice: Function _load_textdomain_just_in_time was called incorrectly. Translation loading for the event-tickets domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /customers/1/c/6/audiblemusic.dk/httpd.www/wp-includes/functions.php on line 6121 Dune Messiah (DK) - Audible Music

Dune Messiah (DK)

• Neofolk
• Label : Third Coming / Aufnahme+Wiedergabe
• Territory : Europe
• Booking : jens@audiblemusic.dk
• Home Town : Copenhagen

”The man in black fled across the dessert, and the gunslinger followed.”

With those words, Stephen King begins his Magnum Opus, The Dark Tower. But the phrase might as well be a graphical, description of the neo-folk band Dune Messiah.

Hailing from Copenhagen, the band shoots through its listener with visceral honesty. Dark, romantic, and personal, the band bares itself completely, engulfing the listener in candid stories of love, loss, and mysticism told with both finesse and violence.

Dune Messiah released their debut album, The Iron Oak, in March 2017. On the following tour in Europe and Denmark, the band supported the American neo-folk veterans King Dude and dark-wave duo Drab Majesty.

On stage, Dune Messiah is a blazing, intense experience. Inspired by all forms of art dealing in immutability (from Leonard Cohen to Edgar Allan Poe and Federico Fellini), the band inescapably channels its demanding themes.

It is both terrifying and beautiful to behold. But regardless the wickedness displayed live, the monstrosities conjured by the instruments, or the heart-breaking truths told through the lyrics, Dune Messiah’s raison d’être is to capture and project honesty.

A concept that, like the man dressed in black, fleetingly runs ahead in this barren, fallacious world.